Skip to content
Chapter 15 · Verse 10
🪈 Krishna speaks
Kalamkari-style painting of two sages sitting by a river at the moment between night and morning, debating — one sees the soul departing a body while the other cannot, illustrating the eye of knowledge.

उत्क्रामन्तं स्थितं वापि भुञ्जानं वा गुणान्वितम्। विमूढा नानुपश्यन्ति पश्यन्ति ज्ञानचक्षुषः॥

utkrāmantaṁ sthitaṁ vāpi bhuñjānaṁ vā guṇānvitam | vimūḍhā nānupaśyanti paśyanti jñānacakṣuṣaḥ ||

Word by Word 11 words
उत्क्रामन्तम्
ut upward kram to step, to move

departing, leaving the body

स्थितम्
sthā to stand, to dwell

dwelling, staying in the body

वा
or

or

अपि
api also, even

also, even

भुञ्जानम्
bhuj to enjoy, to experience

enjoying, experiencing through the senses

गुणान्वितम्
guṇa quality — sattva, rajas, tamas anvita accompanied by, from anu+i

accompanied by the gunas, conditioned by the qualities of nature

विमूढाः
vi deeply, completely muh to be deluded, to be confused

the deeply deluded, those who are thoroughly confused

na not

not

अनुपश्यन्ति
anu along, closely paś to see, to perceive

perceive, see clearly

पश्यन्ति
paś to see, to perceive

they see, they perceive

ज्ञानचक्षुषः
jñāna knowledge, from jñā — to know cakṣus eye, from cakṣ — to see

those with the eye of knowledge, the wise who see with understanding

The deluded cannot perceive the soul — whether it is leaving the body, dwelling in it, or enjoying through the senses under the influence of the gunas. But those who have the eye of knowledge can see it clearly. Wisdom is like a special kind of seeing that goes beyond what the ordinary eyes can show.

कथा

Two Ways of Seeing

An original story

The two sages sat by the river at the hour when night turns to morning but the sun has not yet decided to appear.

They had walked together for many weeks — the elder, Devala, whose hair was white as egret feathers, and the younger, Narada, who was not young at all but seemed so beside his companion. They sat on the damp stones of the bank while the water sang its low, endless song over the pebbles.

It was Narada who noticed the cocoon.

It hung from a branch of the fig tree that leaned over the water — a small, grey-brown case, no larger than a man's thumb, attached by a thread of silk so fine it was nearly invisible. And it was moving. Something inside was pushing, straining, the walls of the cocoon bulging and thinning with each effort.

"Look," Narada said. "A caterpillar becoming a butterfly."

Devala glanced at it, then returned his gaze to the river. "It is more than that."

They watched. The cocoon split along one side, a thin crack that widened slowly. A leg emerged — damp, trembling, not yet the colour it would become. Then a wing, crumpled and dark, pressed flat against the body like a folded letter. The butterfly clung to the empty shell, its wings slowly unfolding in the grey light, revealing patterns of black and orange and a dusting of gold along the edges that caught the first faint glow from the east.

"Beautiful," Narada said. "A remarkable insect."

Devala was quiet for a long time. When he spoke, his voice was the way the river was — unhurried, moving over deep things.

"You are looking with your eyes, friend."

Narada turned. "What else would I look with?"

"Your knowing." Devala pointed at the butterfly, which had begun to open and close its wings in slow, experimental beats. "What do you see if you look not at the body but at the journey? The caterpillar did not die. It entered the cocoon the way a soul enters a body — wrapped tight, unable to see, struggling in darkness. And what emerged is not a different creature. It is the same one, transformed. The cocoon was not a prison. It was a doorway."

Narada looked again. The butterfly lifted off the branch — one uncertain flutter, then another, and then a sudden, confident sweep upward into the brightening air. The empty cocoon swung gently on its thread, light as dust, no longer needed.

"The deluded," Devala said softly, "see only the shell. They see the caterpillar and the butterfly and call them two different things. They see a body born and a body die and call it the beginning and the end. But those with the eye of knowledge — -chakshu — they see the one who travels through. Not the cocoon. The flier."

The butterfly was high above the river now, a small bright coin against the pale sky. Narada watched it until it disappeared. Then he closed his eyes and tried, for the first time, to look with something other than them.

चिन्तनम्

When you look at a caterpillar becoming a butterfly, do you see an ending and a beginning — or one continuous journey? What changes when you look deeper?