In the old stories there once lived a king named Bahula, in a palace where
a great lamp burned in the council hall, a wide brass lamp with a hundred
wicks that lit the whole room gold.
For years King Bahula ruled well. But slowly a heaviness crept over him. He
began to sleep late, then later, then half the day. When ministers brought
him scrolls to read, his eyes slid off the words; the letters seemed dim,
as though a grey cloth lay over them. "Later," he would mumble. "Tomorrow."
But tomorrow he did nothing either.
The roads cracked and no one was sent to mend them. The granary doors hung
open and no one was told to shut them. When a servant asked, "Maharaja,
what shall we do?" the king only blinked, confused, as if he had forgotten
there was a kingdom at all.
One evening an old wandering teacher came to the hall and found the great
hundred-wick lamp gone dark. Dust had clogged the wicks. No one had thought
to clean or light it.
"Maharaja," said the teacher gently, "look at your lamp. It is not broken.
The oil is still in it, the wicks are still there. But dust has covered it,
and no hand has lit it, and so the whole hall sits in shadow."
The king stared at the cold lamp.
"That is tamas," the teacher said. "The heavy quality. It does not break
you — it covers you. The light is still inside, but it stops shining. You
stop starting things. You forget what is dear to you. Your thoughts go
foggy, like a room with no lamp lit. Dimness, stuckness, carelessness,
confusion — these four come knocking together."
King Bahula rose slowly, took a cloth, and wiped the dust from one single
wick. He set a flame to it. A small steady light bloomed in the dark hall.
"One wick," murmured the teacher, smiling. "That is how you begin to come
back. You do not fight the dark. You light one small lamp, and then the
next."