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Chapter 6 · Verse 47
🪈 Krishna speaks
Illustration for Chapter 6, Verse 47

योगिनामपि सर्वेषां मद्गतेनान्तरात्मना। श्रद्धावान्भजते यो मां स मे युक्ततमो मतः॥

yogināmapi sarveṣāṁ madgatenāntarātmanā | śraddhāvānbhajate yo māṁ sa me yuktatamo mataḥ ||

Word by Word 13 words
योगिनाम्
yuj to yoke, to join

of all the yogis, among meditators

अपि
api even, also

even, of all

सर्वेषाम्
sarva all

of all of them

मद्गतेन
mad me, mine gam to go

with a self gone toward Me, with the heart turned to Me

अन्तरात्मना
antar inner, within ātman self

with the inmost self, with the deepest heart

श्रद्धावान्
śrat trust, heart dhā to place, to hold vat possessing

full of faith, holding trust in the heart

भजते
bhaj to love, to worship, to be devoted

worships, loves, devotes himself

यः
yad who

the one who

माम्
mām me

Me

सः
tad he

he, that one

मे
me by me, in my view

by Me, in my eyes

युक्ततमः
yuj to yoke, to join tama most, superlative

the most united, the most perfectly joined

मतः
man to think, to consider

is considered, is held to be

ends the whole chapter with his deepest secret. Of all the yogis — every kind of seeker there is — the one he holds dearest and most perfectly united is the one who turns his inmost heart toward the Self with love and trust. Quieting the mind is good; doing it with a heart full of devotion is best of all. Love, Krishna says, is the highest meditation.

कथा

The Last Line of the Painting

An original story

It was dusk in the Mithila village, and Nani was finishing a painting she had been working on for many days — a great Madhubani image of the divine, every inch of it filled with fish and birds and twining vines, all in the deep reds and indigos and blacks of the old folk style.

Ravi sat beside her, watching the very last line being drawn. Moti was asleep against his knee.

He had been thinking, all through the chapter Nani had been telling him — about the restless mind, and the breathing, and the lamp that doesn't flicker, and the long climb up the mountain across many lives. It was a lot.

"Nani," he said, "out of all of it — sitting still, and breathing, and not eating too much, and seeing the same Self in everyone — what's the most important part? If you could only keep one?"

Nani did not answer right away. She dipped her thinnest brush, steadied her wrist, and drew the final line of the painting — the curve of the divine figure's smile — with a tenderness Ravi had never seen her use before. Her whole face had gone soft and bright, as though the painting were not paint at all but someone she loved.

"There," she breathed, when it was done. She sat back.

"Did you see how I drew that last line?" she asked.

Ravi nodded. "You looked... different. Happy. Like you forgot I was even here."

"I did forget. For a moment there was only the love in my hand, going into the line." She smiled at him. "That is the answer to your question, beta. You can sit still all you like. You can breathe and read and do everything correctly. But the seeker the Lord holds closest of all is the one who turns his whole heart toward the truth with love — who does it not as a chore, but as a gift to something he adores."

She touched the painting gently, not smudging it.

"Sitting quietly is good. But sitting quietly with a heart full of love — that is the highest meditation there is. That is what I was doing just now. And it is the best thing I know how to teach you."

The diya flickered. Moti sighed in his sleep. And Ravi looked at the smiling face Nani had drawn, and understood.

चिन्तनम्

When you do something with real love — for a person, a pet, a piece of art — it feels different from doing it because you have to. What is something you do with your whole heart?

॥ इति ॥

You finished this chapter!

Continue to Chapter 7: The Yoga of Knowledge and Realization